New Installations

19 Nov 2016

St Luke Anglican BuchananSt Luke Anglican Buchanan

St Barnabas East MaitlandSt Barnabas East Maitland

Over the past 6 months my major commission has been two double window sets for St Peter's Anglican Church in East Maitland. With the assistance of Ron Jensen of Heritage Stained Glass, New Lambton, his off-sider Anthony and my assistant Hannah, we got these four windows and their quatrafoils installed over four days last week.

Excavating the old glassExcavating the old glass

Scaffold tower at St Peter'sScaffold tower at St Peter's

Knuckle boom hoist for the external workKnuckle boom hoist for the external work

Two weeks prior to this installation, I completed the installation of a pair of stained glass door panels to a family vault in Frenchs Forrest Cemetery.

Facade of the Bartalotta cryptFacade of the Bartalotta crypt

The bronze & stained glass doorsThe bronze & stained glass doors

Left hand panel: LombardoLeft hand panel: Lombardo

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Right hand panel: AloysiusRight hand panel: Aloysius

The brief for this project called for renderings of the Coat of Arms of the City of Lombardo, Italy and St Aloysius School in North Sydney. I took as my lead the bold deco design of the facade, echoing the bronze, brass and black granite.

At the beginning of August I took time out from my usual Saturday afternoon work to view a rather special exhibition by my friend Michael Galovic. Michael is one of the very few icon painters working in Australia. He is exceptionally talented and not only produces traditional icons but makes very contemporary paintings, drawing on his rich ethnic background and traditional training while commenting on the contemporary milieu.

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As you can see there was lots of gold and silver. It made for a beautiful exhibition, in a beautiful location. All Saints Anglican, Hunters Hill is renowned for its superb stained glass windows, including two works by the studio of Edward Burne-Jones.

Overview of the exhibitionOverview of the exhibition

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Much of Galovic's recent work has focused on Australia's Indigenous heritage and this exhibition was actually a launch of his new book Uluru.

One particularly profound work was a painting juxtaposing the resurrection of Christ with the destruction of the World Trade Centre, shown (above, right).

With only about a dozen pieces, "Art That Transfigures" was a modest exhibition, in danger of being overwhelmed by the scale of its environs, but in fact the works themselves are so beautiful and powerful that it was immensely satisfying.

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Vale Mark Brabham

01 May 2016

Ausglass, AGDA and GLAAS Inc member Mark Brabham died 7th April, having sustained a serious injury to the head and remained in an induced coma since 9th March. Mark was a respected and loved member of both the glass and ceramics arts communities as well as highly regarded and active member of his local community of Richmond, Victoria. He was the founding Director of Albert Street Gallery and the long-established firm Australian Combustion Services. ..

Mark BrabhamMark Brabham

Mark & guests @ GLAAS Inc exhibitionMark & guests @ GLAAS Inc exhibition

On Saturday 30th April I attended the Memorial Service held at the Albert Street Gallery premises to commemorate Mark's life, along with over 150 guests. Donna Kennedy of GLAAS Inc delivered the eulogy, and then introduced Mark's lifelong friend and colleague Nick Wirdnam.

The Gallery sandwich board The Gallery sandwich board

A crowd of 150+ gathers for the serviceA crowd of 150+ gathers for the service

Mark Brabham was very involved in his local community and particularly supportive of the Richmond Primary School. Tracey Hammil, Principal of the School and one of 3x speakers at the service, spoke glowingly of Mark's commitment to his children's education and development and his unstinting support of the School. These attributes were echoed by another speaker, Malcolm Munro, who had some years ago furnished a report on the potential for Australian Combustion Services to expand Internationally, only to then convey Mark's desire to "spend time with my kids" and his decision to actually down-size the firm's operations.

Norm Beilby, Donna KennedyNorm Beilby, Donna Kennedy

Lisa Wharington, Eileen GordonLisa Wharington, Eileen Gordon

Bronwyn Hughes, Graham StoneBronwyn Hughes, Graham Stone

Don WrefordDon Wreford

After a moving service, the many guests broke off into several groups; those from Richmond Primary School gathered together for their own commemoration while many of the glass artists attending gathered in a room at the local library provided gratis by Richmond City Council. Later still I joined Stan Hawksworth, Liz Coleman and Dr Bronwyn and David Hughes for a light meal in Church Street before flying back to Sydney that night.

Jennifer HayJennifer Hay

Brian Hirst, Richard MorrellBrian Hirst, Richard Morrell

Donna Kennedy, Liz Coleman, Elaine Pounder-SmithDonna Kennedy, Liz Coleman, Elaine Pounder-Smith

The other exhibition in Glebe Point Road that I wanted to discuss is Sydney Re-Versed, an exhibition of reverse painted glass in fired enamels by Wayne Pearson and wood block prints by his partner Marina Bishop. I've know Marina since the late 1970's: we worked together as artists at Sydney's Taronga Zoo. Wayne and Marina have been partners for many years now.

Wayne Pearson was awarded his PhD in Glass from Sydney College of the Arts in 2012 with a wonderful exhibition of reverse painted glass portraits of notable glass artists as his thesis. I was lucky indeed to have been included in the series. For each portrait Wayne recorded an interview with the artist while Marina took photographs. Some of the results were exceptional.

For this small exhibition "Sydney Re-versed" Wayne is showing a series of more intimate images of Sydney wildlife and landscape

Three WrensThree Wrens

Dragonfly & Young BirdDragonfly & Young Bird

Magpie & RavenMagpie & Raven

Headstone with GeckoHeadstone with Gecko

Complimenting the glass works, Marina Bishop is showing her collection of delightful lino-prints illustrating Sydney's Harbourside Pools, of which there are many. This is a second viewing of her very well received exhibition last month at the Lane Cove Art Gallery. There is a strong synchronicity between the two bodies of work; they hang together very well indeed.

Eight Harbourside PoolsEight Harbourside Pools

Six Harbourside PoolsSix Harbourside Pools

The exhibition closes this weekend but the Gallery is always worth a visit: Gauge Gallery is the ground floor rental space of the Glass Artists Gallery, which has moved upstairs. Director Maureen Cahill is more than happy to take the visitor up to the next level and guide you through the very extensive collection of studio glass.

Two exhibitions of interest currently showing in Glebe Point Road: firstly "Recent Paintings" by Jeff Manning at the The Shop Gallery.

Two panels by Jeff Manning & Greville WiltonTwo panels by Jeff Manning & Greville Wilton

Smoking AcrobatSmoking Acrobat

Jeff Manning is an accomplished painter, working primarily in the magical realist style. He has collaborated with well known leadlighter Greville Wilton on several occasions to produce stained glass windows for local Churches in the New England region and in this instance the two have produced a charming suite of stained glass panels illustrating acrobats, dancers and other figures from Jeff's oeuvre.

Pink AcrobatPink Acrobat

Blue AcrobatBlue Acrobat

SkippingSkipping

Manning has learned much from his association with Wilton and their experience with Church stained glass work, clearly evident in the painted decoration deployed in these quirky glass panels. I particularly enjoyed the exploration of 19th Century floral backgrounds: these locate the contemporary, stylised figures within a traditional stained glass canon creating an interesting juxtaposition. Whereas the fisherman and the waitress are to my eye not as successful, harking more toward the naive style of 1970's leadlight revival which occurred throughout the USA. Merely my opinion, of course. The small detail of a bowl of spaghetti in "The Waitress" however is brilliant.

Delerium by Jaff ManningDelerium by Jaff Manning

Greville reveals secrets of the paintingGreville reveals secrets of the painting

Foreground: Tim Edwards' Line Drawing #9, #10 and #11Foreground: Tim Edwards' Line Drawing #9, #10 and #11

This year's masters of Glass exhibition at Paddington's Sabbia Gallery features work by Tim Edwards, Jenni Kemarre Martiniello, Lisa Cahill, Emma Varga and Brendan Scott French. These artists were invited to exhibit work based on the concept of HOME.

And it seems that each artist has pushed their ouvre that little bit further, creating an exciting exhibition of new work.

Jenni Kemarre MartinielloJenni Kemarre Martiniello

Jenni Kemarre MartinielloJenni Kemarre Martiniello

Jenni Kemarre Martiniello is well known for her interpretations in glass of traditional Indigenous fish traps. For HOME Jenni has shown pairs of wall-mounted slabs of glass titled Layers of Place.

Emma Varga has ventured into new territory with a tour-de-force of Pate de Verre work, also displayed on the Gallery wall.

MinefieldMinefield

Firebush OctoberFirebush October

Lisa Cahill, who is well known for her beautiful wall-mounted fused and slumped glass sculptures has also produced a series of thick glass slabs infused with multiple layers of illustration

Road Trip, Snow in the Hume HighwayRoad Trip, Snow in the Hume Highway

Le ChatLe Chat

Bondi WindowBondi Window

And Brendan Scott French, one of my favourite glass artists, does not disappoint with his semi-abstract landscapes of fused and surface worked panels of glass mosaic.

Elevation The ApartmentsElevation The Apartments

View from WindowView from Window

This is a small sample of the beautiful contemporary glass art on show at HOME. You will find much better photographs than mine on the Gallery website. But the work is even more seductive in-the-flesh: the exhibition continues until February 27th so get along and see for yourself.

Cedar Prest at Maslins BeachCedar Prest at Maslins Beach

In the second week of January I flew to Adelaide, with a stop-over in Melbourne to visit friends and view the Warhol/Ai Weiwei Exhibition at the NGV. Brilliant! In Melbourne I met up with Dr Bronwyn Hughes and Donna Kennedy of AGDA and GLAAS Inc for lunch and much conversation. Also met with Sharon Harrison and Helen Kelly, both current members of the Ausglass Board, at Federation Square. I really enjoyed seeing the exhibition Virtuoso at Kirra Galleries, which was fortunately still showing at Fed Square.

Selfie with Sharon & HelenSelfie with Sharon & Helen

With Dr Bronwyn Hughes & Donna KennedyWith Dr Bronwyn Hughes & Donna Kennedy

But my main objective in flying to South Australia was to visit pioneering contemporary stained glass artist Cedar Prest, OAM. Cedar, now 76, is preparing for retirement and consequently is divesting her impressive collection of primarily mouthblown ('antique') glass.

Selection of Hartley woodSelection of Hartley wood

Selection of SeleniumsSelection of Seleniums

Kokomo, Spectrum & BullseyesKokomo, Spectrum & Bullseyes

Selection of Freedom glassSelection of Freedom glass

I selected about 100x sheets in all and The Glass Emporium of Adelaide will pack and ship them to Sydney. Much of the mouthblown glass is destined for use in six double lancet windows to the clerestory of the historic St Peter's Anglican Church in East Maitland. Having visited her old studio in the church at Kensington, SA in 2005 (during the Ausglass/GAS Conference) I knew Cedar had a big range of beautiful greys, olives, browns and many unusual colours that the regular suppliers just don't stock.

Heading for a swimHeading for a swim

Now in her 76th year, Cedar is preparing herself for retirement. Her interest has moved away from the business of glass and even the making of labarynths, a consuming passion of more recent years, has now become physically too difficult. I stayed two days with Cedar, who was the perfect host. We swam at Maslin's Beach and walked the labarynth that she built at nearby McLaren Vale with partner Robyn Hunter (who died two years ago) and 30x members of the local community.

Walking the labarynthWalking the labarynth

During earlier correspondence Cedar had agreed to be interviewed to record her life story as an oral history, so most of our time was spent talking! For me it was a fascinating insight into a strong and energetic woman who has single-mindedly dedicated her life to creative endeavours both here in Australia and Internationally. Having come to know Patrick Reyntiens on a personal level, Cedar Prest was in the right place at the right time to bring about the dessemination of post-war German design sensibility in stained glass first to England, then the United States and Australia.

Arguably Cedar Prest's most important contribution to Australian stained glass has been working with groups of volunteers to bring into being many significant community based projects in South Australia, Western Australia and the Northern Territory. Her fiesty response to this blog, via text from the hospital bed post-op: "Not quite retired! Artists don't".

Opened by Bob Hawke, a former Prime Minister of Australia, at Nanda Hobbs Contemporary 66 King St Sydney, Louis Pratt's new exhibition of sculpture is a cracker. Dealing with issues of greed and corporate arrogance, it was described by the Director of the Gallery as their most important to date and pulls no punches in its political statement about the mining and export of coal.

The Apple SeriesThe Apple Series

Pratt uses coal itself as the medium for his sculptures, pulverised and reconstituted with resin, then overlaid with gold leaf to create a visually potent work heavily laden with metaphor and meaning.

Spring WaterSpring Water

Zoo YorkZoo York

Its not only environmental issues discussed however; Pratt lays it on the line where corporate culture is concerned, leaving the viewer in no doubt as to where his politics lie on the Green-Capitalist spectrum. With works such as "Snake Skull", "Business As Usual" and "Retirement" he comments eloquently on the hypocrisy embedded within the business community. And of course the irony of these works being for sale at not-insignificant prices cannot be ignored. A detail I found particularly appealing was the gold lapel pin COAL attached to one of the garments.

RetirementRetirement

Suit and TieSuit and Tie

Many of these works are actual high-fashion corporate garments recently purchased, soaked in resin and coated in gold leaf. The nails pinning the three elements of "Retirement" to the wall are shiny brass-plated nails; likewise the knife thrust into the leather jacket of "Business as Usual", metaphorically stabbing the wearer in the back. Not everyone in the large audience on opening night would see that those ties hanging on the wall are also nooses.

Hung SalesmanHung Salesman

Business as UsualBusiness as Usual

Not all the works in this show are as successful of course; I found the bucket of gold-coated coal nuggets in "Fools Gold" rather twee with its rotating coloured lights. I got the reference to an imitation coal-fired heater, but it just didn't work for me. However I did particularly enjoy the graphic work, a set of four prints in black and gold leaf. As they are framed under glass, the reflections prevented me from photographing them successfully. So do get along to see the exhibition, which is open until 18th December; this is one not to miss.

The coastal walk draws thousandsThe coastal walk draws thousands

Every year many thousands of Sydney-siders, both local and visiting tourists, make the pilgramage from Bondi to Tamarama and back again, taking in the collection of over 100 site-specific contemporary sculptures from Australia and around the world. Sculpture by the Sea now has its own Wikepedia entry; it really has revolutionised the way Sydney embraces art in public spaces. This event, almost single-handedly, has brought Sculpture as an art form back from the margins and into the public arena.

Richard TippingRichard Tipping

Video SurveillanceVideo Surveillance

This year, the 19th year of continuous exhibition, there was a very strong element of irony running throughout. The Curatorial Panel went so far as to include a well-known feature of the Bondi landscape as a work by Unknowable from the N.A.S., the Natural Art School, completely in its natural state. Materials: Sydney sandstone. Dimensions: constantly changing. Price: priceless. Artist Statement: "Here sits a large stone. It has been here for eons and it will remain here long after those who view it have come and gone."

Richard Tipping's Speed Trap is also priceless (although you can buy them for $3,300 or less). Reduce Need is so good you almost miss it. And I found a lovely synchronicity between Video Surveillance, beaming images of viewers to the internet, and Tipping's statement that PHOTOGRAPHY IS EASY AND ALL ART IS THE SAME.

Motion was also a common theme throughout the exhibition. Being an outdoor show, this is almost unavoidable, and there are always great kinetic sculptures which play with the wind. But this year motion and interaction seemed to me to be particularly emphasised, as you will find by viewing my short videos of various works, the way they move (or don't) and the way people interact with them:

No.103 The bottles by RCM Collective, VIC

No.46 Eye by Anne-Marie Pedersen, Denmark

No102 X by Sarah Fitzgerald, NSW

No51. Kakashi (2012) by Zilvinas Kempinas, Lithuania/USA

No56 Treasured by Martin George, VIC

No105 Wave by Annette Thas, WA

No79 Open Home by Kate Carroll, VIC

No23 Half Gate by Matthew Asimakis, Clarence Lee & Caitlin Roseby, NSW

Took time out of the studio last week to catch the 2015 Small Sculpture Prize exhibition before it closed on Sunday 25th. I try to see it every year because I enjoy the show so much and while it couldn't be called the best ever I certainly wasn't disappointed.

Purple,White,Orange & BluePurple,White,Orange & Blue

Figure of Self-ReflectionFigure of Self-Reflection

Two sculptures I particularly enjoyed were the abstract aluminium construction by Yioyios above and the very whimsical ceramic totem by Stephen Bird, a regular contributor to the show. Another work I found particularly beautiful was Lines by Titania Henderson

Lines by Titania HendersonLines by Titania Henderson

Father's PencilsFather's Pencils

Father's Pencils by Wendy Black struck a particularly strong emotional chord with me. Probably the smallest piece in the whole show iot definitely had the most profound impact. WEndy explains that while her father constructd modest dwellings, the work alludes to skyscrapers, but it was her acknowledgement of communing with him while making the piece that resonated so strongly with me

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The Latest Happenings in my World

This blog is where you will find my latest news. It can range from posting images of progress of the current commission to art crit to political or social commentry, both national and international. Anything, basically, that's commanding my attention and I feel is worth sharing with you, my reader. Enjoy. My previous blog can be found at jeffreyhamilton.blogspot.com